This page is a gateway to my reviews of Shakespeare productions I have seen on stage since 2009. For reviews of non-Shakespeare theatrical productions, click here. The play titles link to my synopsis of the play.
A C E H J K L M O P R T V W Misc.
[For reviews of non-Shakespeare plays, click here]
All's Well That Starts Well (Independent Shakespeare Company, 2018)
All's Swell and Ends Well (American Shakespeare Center, 2013)
Shavian Shakespeare: All's Well That Works Well (Shakespeare Theatre Company, 2010)
In Bertram's Bliss, All's Well That Ends Well (American Shakespeare Center, 2010)
Antony and Cleopatra
The World As Their Toy Box (Folger Theatre, 2017)
A Dream Vacation (Orlando Shakespeare Theater, 2017)
Epically Intimate (Brave Spirits Theatre, 2016)
A Love That Even Death Cannot Part (American Shakespeare Center, 2015)
A Reflection of Midlife Crises (Stratford Festival, 2014)
Sinking in a Caribbean Love Triangle (Royal Shakespeare Company/The Public Theater, 2014)
A World's Pool of Humanity; A Whirlpool of Passion (Chesapeake Shakespeare Company, 2013)
Arden of Faversham
The Crime, The Comedy, The Burning Passion (American Shakespeare Center, 2019)
Shakespeare or Not, This Is a Good One (Brave Spirits, 2015)
As You Like It
A Magical Mystical Tour de Force (Bard on the Beach at Shakespeare Theatre Company, 2023)
[with The Beatles Songbook for As You Like It: Melding the Fab Four's songs with the Bard structurally, contextually, and thematically]
What Love's Got to Do with It (Ohio Shakespeare Festival, 2017)
In The World of Refugees (Folger Theatre, 2017)
The Heart of the Matter (Children's Shakespeare Theatre, 2016)
The Sound of Silence (Synetic Theater, 2015)
Shakespeare's Playroom (Baltimore Shakespeare Factory, 2015)
All the Stage is a World (Shakespeare Theatre Company, 2014)
Even in Panoramavision, It's about the Verse (New York Classical Theatre, 2014)
If You Feel Like a Room Without a Roof (Chesapeake Shakespeare Company, 2014)
When the Essence Is Essentially Nonsense (American Shakespeare Center, 2014)
An Elegiac Staging Makes for a Sterile Arden (Oregon Shakespeare Festival, 2012)
True Love and Laughter Please Us Well (The Public Theater's Free Shakespeare in the Park, 2012)
Sucking the Melancholy Out (Royal Shakespeare Company/Lincoln Center, 2011)
Restless Ecstasy, As You Like It (American Shakespeare Center, 2011)
As You Like It As Epic Disaster (Shakespeare Theatre Company, 2009)
Cardenio (aka Double Falsehood)
Wherefore Art Thou, Shakespeare? (Atlanta Shakespeare Company's Shakespeare Tavern, 2011)
The Comedy of Errors
Pair of Deuces, 3 of Hearts = a Winning Hand (Shakespeare Theatre Company, 2024)
A Play to Take Your Breath Away (American Shakespeare Center, 2019)
Acts of Revelations, and Ephesians, Too (Kentucky Shakespeare Festival, 2018)
Steampunk Creates Otherworldly Errors (Bard on the Beach, 2015)
First Order of Business: Confusion (Baltimore Shakespeare Factory, 2014)
The Fantastical World of Ephesus (Cincinnati Shakespeare Company, 2014)
Dramatic Possibilities of a Slapstick Comedy (American Shakespeare Center, 2014)
Doubling Doubles the Fun of a Comic Errors (The Public Theater's Free Shakespeare in the Park, 2013)
Edwardian Order for a Comedy of Disorder (Hudson Warehouse, 2012)
Lenny Henry Was the Drawing Card, But Adriana Played the Winning Hand (National Theatre, 2012)
Waiting for Dromio (Folger Theatre, 2011)
A Comedy of Errors in (Looney) Tune with Its Times (American Shakespeare Center, 2011)
Great Comedy in a Pinch (American Shakespeare Center, 2009)
Coriolanus
Of the People (Brave Spirits Theatre, 2018)
A Man; Take Him for All in All (American Shakespeare Center, 2017)
One That Hath Always Loved the People (Red Bull Theater, 2016)
The Politics and Drama of Virility (Shakespeare Theatre Company, 2013)
Cymbeline
Shakespeare Establishes the Genre Farce (Baltimore Shakespeare Factory, 2019)
Imogen: Refocusing Shakespeare's Play from Y to X (Pointless Theatre, 2018)
Six Actors, a Trunk, and Eagle-Eyed Clarity (Fiasco Theater, Folger Theatre, 2014)
A Cymbeline That Soars On the Magic of Great Stagecraft (American Shakespeare Center, 2012)
A Bedtime Story for and about a Little Girl (Shakespeare Theatre Company, 2011)
Buried Treasure (Shakespeare Project of Chicago, 2013)
Hark! How These Angels Sing (Shakespeare Opera Theatre, 2020)
Deacon Blues (Baltimore Shakespeare Factory, 2019)
A Two Woman Hamlet: What's My Clothesline? (WSC Avant Bard, 2019)
Virtual Reality for the Soul (American Shakespeare Center, 2018)
O'erstepping the Modesty of Nature (Shakespeare Theatre Company, 2018)
Crafting Madness (Shakespeare Miami, 2018)
Hamlet: The First Quarto—Making It Good with the Bad (Taffety Punk, 2015)
Speak the Speech, I Pray You (American Shakespeare Center, 2014)
Enter Ophelia, distracted—Minding the Madness (Taffety Punk, 2014)
And We Are Merely Players (The Acting Company, Guthrie Theater, 2014)
Hamlet…The Rest Is Silence—Visual Soliloquies (Synetic Theater, 2014)
Four Score with Shakespeare's Masterpiece (Bedlam, 2014)
Hamlet, Prince of Grief—Toying with Shakespeare (Leev Theater Group/The Public Theater, 2013)
In the End, the Play Is Still the Thing (Shakespeare's Globe/Folger Theatre, 2012)
Mother and Son, and Everything in Between (The Shakespeare Forum, 2012)
The Clown Prince of Denmark (American Shakespeare Center, 2011)
A Casting Coup—Hamlet: Now I Am Alone (Folger Theatre, 2010)
On the Next Dr. Phil: The Hamlets (Folger Theatre, 2010)
The Traveling Players Come Hither (American Shakespeare Center, 2009)
Henry IV, Part 1
Royalty and Loyalty in the DNA (American Shakespeare Center, 2019)
Tom Hanks as Falstaff; And Vice Versa (Shakespeare Center of Los Angeles, 2018)
The Bling's the Thing (Southwest Shakespeare Company, 2018)
Higher Crime (Donmar Warehouse, St. Ann's Warehouse, 2015)
It's a (Wo)Man's World (Baltimore Shakespeare Factory, 2015)
The Truth Is the Truth, and Much More (Smith Street Stage, 2015)
Henry the Fifth, Part One (Royal Shakespeare Company, 2014)
That It is Old, the More the Pity (Shakespeare Theatre Company, 2014)
Playing Falstaff with Blunt Force (American Shakespeare Center, 2013)
The Prince Has the Key to This Kingdom (American Shakespeare Center, 2009)
Henry IV, Part 2
Tom Hanks as Falstaff; And Vice Versa (Shakespeare Center of Los Angeles, 2018)
Higher Crime (Donmar Warehouse, St. Ann's Warehouse, 2015)
The Truth Is the Truth, and Much More (Smith Street Stage, 2015)
Hal's Story Turns into a Sher Thing (Royal Shakespeare Company, 2014)
The Lesser Play Grows into the Greater Work (Shakespeare Theatre Company, 2014)
Good Night, Great Knight (American Shakespeare Center, 2010)
Henry V
The Courting Saves a Play Courting Disaster (The Folger, 2013)
Henry's Winning Campaigns In War and Politics (Oregon Shakespeare Festival, 2012)
The Legend of Hal, Part Three (American Shakespeare Center, 2011)
Henry V: A Loss Leader (Shakespeare Theatre Company, 2010)
Henry VI, Part 1
The Truth Is in the Toddlers (Taffety Punk Bootleg Shakespeare, 2016)
Taking Title, Losing Ownership (American Shakespeare Center, 2015)
A Debut-Like Experience of Shakespeare (American Shakespeare Center, 2009)
Henry VI, Part 2
Bootleg Shakespeare's Timely Undertow (Taffety Punk, 2017)
Masterwork in Hand Worth Two in the Making (American Shakespeare Center, 2016)
High Stakes and Hijinks, the Sequel (American Shakespeare Center, 2010)
Henry VI, Part 3
No Bed of Roses (American Shakespeare Center, 2017)
A Date with Destiny: Watching Genius Emerge (American Shakespeare Center, 2011)
Henry VI, Parts 1–3
Finish a Marathon with a Good Start (Hamlet Isn't Dead, 2014)
Henry VIII
ASC Proves This Henry Is a Willie, and a John, too (American Shakespeare Center, 2013)
Dubious Pomp; Notorious Circumstances (The Folger, 2010)
Et tu …? (Chesapeake Shakespeare Company, 2017)
Past and Present Tense (Michigan Shakespeare Festival, 2017)
Burying Caesar in Hubris (The Folger, 2014)
A Caesar Who Rules a Dream State (Shakespeare Theatre of New Jersey, 2014)
A Caesar That Takes No Prisoners (Donmar Warehouse/St. Ann's Warehouse, 2013)
An Amazonian Take on Ancient Rome (Babes With Blades, 2013)
RSC Scores a Coup with African Setting (Royal Shakespeare Company/BAM, 2013)
Passing on the Baton of Despotism One Republic to Another (American Shakespeare Center, 2013)
That Nagging Feeling about Julius Caesar (Maryland Shakespeare Festival, 2012)
A Julius Caesar for the Harry Potter Age (Royal Shakespeare Company/Lincoln Center, 2011)
The Common Roar (4615 Theatre Company, 2017)
Children Will Be Children, and Kings, Too (Stratford Festival, 2014)
A Clash of Concepts Strikes a Moral Chord (WSC Avant Bard, 2013)
The Other History Earns Its Due (American Shakespeare Center, 2012)
King Lear
The Way It Begins Promises the End (Shakespeare in the Vines, 2018)
The Magnitude of the Mundane (WSC Avant Bard, 2017)
Queen Lear: Not Old, But Not Foolish, Either (Children's Shakespeare Theatre, 2017)
A Most Unfamiliar Lear in Its Purity (American Shakespeare Center, 2016)
A Maddening King Lear (Bard on the Beach, 2015)
An Age of Disenfranchisement (Idaho Shakespeare Festival, 2015)
The Scene of a Crime (Shakespeare's Globe/Folger Theatre, 2014)
A King Lear in the Looking Glass (Stratford Festival, 2014)
It's Lithgow's Lear, But It's Edgar's Play (The Public Theater's Free Shakespeare in the Park, 2014)
No tears. No cause. No cause. (Chichester Festival/BAM, 2014)
Howl, Howl, Howl, How Not (Royal Shakespeare Company/Lincoln Center, 2011)
In the Service of Jacobi's King Lear (Donmar Warehouse/Brooklyn Academy of Music, 2011)
Packing a Lear Punch below the Belt (Shakespeare Theatre Company, 2009)
Building a History (Folger Theatre, 2019)
When Love Speaks (American Shakespeare Center, 2017)
Youth is Served, and Serves Well (4615 Theatre Company, 2016)
Speech-Heavy Comedy As a Speakeasy Musical (Bard on the Beach, 2015)
Musical Adaptation Needs a Big Lift (The Public Theater's Free Shakespeare in the Park, 2013)
With Only One Day and One Performance Bootleg Shakespeare Gets It So Right (Taffety Punk, 2013)
A Production of Other-Wordliness (Shakespeare Forum, 2013)
Love's Labours Win (American Shakespeare Center, 2012)
War's Tomorrow (Shakespeare Theatre Company, 2024)
The Magic Macbeth Show (Chicago Shakespeare Theater, 2018)
For Whom the Bell Tolls (Cleveland Shakespeare Festival, 2017)
We Laugh and Laugh—And Others Cry (Shakespeare Theatre Company, 2017)
Special Effects Shakespeare (American Shakespeare Center, 2014)
Branagh's Spectacular Shakespeare (Park Avenue Armory, 2014)
A Greater Danger Than Desire (Lincoln Center Theater, 2013)
Medea/Macbeth/Cinderella—The Sum of Three Plays Is Some Whole (Oregon Shakespeare Festival, 2012)
The Macbeths Lust for Power (American Shakespeare Center, 2011)
Desperate Measures: Riffing on a Problem Play's Problems (Constellation Theatre Company, 2024)
From Foreplay to a Happy Climax (Theatre for a New Audience, 2017)
Alternate Truths (The Night Shift, 2017)
An Archaic Play For These Archaic Times (American Shakespeare Center, 2016)
Six Actors Measure Up to Play's Challenges (Fiasco Theater/New Victory Theater, 2014)
The Agony in Ecstasy (Shakespeare Theatre Company, 2013)
This Duke's Behavior Comes With the Age (American Shakespeare Center, 2010)
The Merchant of Venice
Seeking Heroes, We Get Laughter (Children's Shakespeare Theatre, 2018)
The Perspectives of Just Deserts (American Shakespeare Center, 2017)
Truth in a Commedia Rendering of Shylock (Faction of Fools, 2016)
Racism Unmasked at a Time of Renaissance (Shakespeare's Globe, Kennedy Center, 2016)
District Merchants—We Stay for Our Bond (Folger Theatre, 2016)
Burnishing the Gold, Silver, and Lead (Atlanta Shakespeare Company's Shakespeare Tavern, 2015)
Seeking Original Intent Through Original Pronunciation (Baltimore Shakespeare Factory, 2015)
The Quality of Comedy Is Not Strained (American Shakespeare Center, 2012)
In "The Heiress of Belmont," All That Clutters Is Not Gold (Shakespeare Theatre Company, 2011)
A Merchant's Take On the Too-Near Future (Theatre for a New Audience, 2011)
Al Pacino’s Shylock in a Post–Lehman Bros. Merchant (The Public Theatre, 2011)
The Merry Wives of Windsor
I'm Just Saying (American Shakespeare Center, 2019)
Digging Up Shakespeare Gold in Alaska (Fairbanks Shakespeare Theatre, 2018)
A Shakespeare That's Outa Sight, Man (Chesapeake Shakespeare Company, 2014)
Making Way for the Modern Sitcom (American Shakespeare Center, 2013)
A War-Weary Windsor on the Make Is Still a Merry Place to Be (Shakespeare Theatre Company, 2012)
The Nimble Knight Makes a Play (American Shakespeare Center, 2009)
A Beach Town Makes Shakespeare The Ultimate Community Theater (Shakespeare on the Beach, 2023)
A Dream Dream Celebrates a Waking Dream (Cincinnati Shakespeare Company, 2017)
It's Mendelssohn, Not Meddlesome (Shakespeare Opera Theatre, 2017)
It Shall Be Called 'Posner's Dream' (Folger Theatre, 2016)
Textual Feelings (American Shakespeare Center, 2015)
Athens Is a Man's World in Women's Eyes (Brave Spirits Theatre, 2014)
Silly Start for a Spanking New Theater (Chesapeake Shakespeare Company, 2014)
The Sanctity of Marriage (Stratford Festival, 2014)
A Midsummer Night's Dream: A Chamber Play—It's All in Your Head (Stratford Festival, 2014)
Growing Mendelssohn's Shakespearean Roots (Baltimore Symphony Orchestra, 2014)
Stilts, Zany Deaths, and Shakespearean Truth (Shakespeare Theatre of New Jersey, 2014)
T'expound on a Dream with Most Rare Vision (Theatre for a New Audience, 2013)
I, Peaseblossom—To Sleep, to Dream; Aye, There's the Fun (Park Avenue Armory, 2013)
Giving the Lovers Their Due (Millbrook Playhouse, 2013)
Mime and Movement Make a Rare Dream (Synetic Theater, 2013)
O Loving Hate! (The Shakespeare Forum, 2012)
Harnessing the Power of Imagination (Shakespeare Theatre Company, 2012)
Nature Joins a Circus of Fairies For a Singular Dream (Clever By Half Productions, 2012)
A Dream With a Most Palpable Bottom (American Shakespeare Center, 2011)
Much Ado About Nothing
It's a Musical (No Kidding) (Shakespeare Opera Theatre, 2023)
Comedy Rising to the Heights in the Rose (Pigeon Creek Shakespeare Company, 2018)
At the Heart of a Still-Beating Comedy (American Shakespeare Center, 2017)
The Boys Are Back In Town (Hoosier Shakes, 2017)
A Perfect Rom–Imperfect Com (NextStop Theatre Company, 2017)
Something in the Way They Move (Synetic Theater, 2015)
Gettin' Down to Some Real Shakespeare (American Shakespeare Center, 2014)
Much Ado, But Nothing Much Comes Of It (The Public Theater's Free Shakespeare in the Park, 2014)
Screwing Comedy to Many Sticking Points (Philadelphia Shakespeare Theatre, 2013)
The Devilry Is in the Details of This Ado (Theatre for a New Audience, 2013)
A Dozen Reasons To See This Production (American Shakespeare Center, 2012)
A Cuban Coupling Brings Much Sweat to This Sweet Ado (Shakespeare Theatre Company, 2011)
Much Ado in a Caribbean Community (Folger Theatre, 2009)
Much Ado about Something (American Shakespeare Center, 2009)
'Tis Love, 'Tis True, 'Tis Pity, Too (Baltimore Shakespeare Factory, 2018)
Iago's 'Honesty' Fits Our Times (Shakespeare Theatre Company, 2016)
Recasting Othello In a World of Women (Titan Theatre Company, 2015)
She, So Young, Could Give Out Such Seeming (Riverside Theatre in the Park, 2014)
The Road to Perdition Is a Matter of Trust (American Shakespeare Center, 2013)
Othello: The Remix—Othello Gets a Good Rap (Chicago Shakespeare Theater, 2013)
The Tragedy of Desdemona, the Wife of Venice (Philadelphia Shakespeare Theatre, 2013)
It May Be Iago's Play, But Othello's Tragedy Runs Deep (Folger Theatre, 2011)
A Five-Sided Triangle (American Shakespeare Center, 2010)
A Quadruple-Quality Life (Fiasco Theater at Classic Stage Company, 2024)
The Mystical Magic of Backyard Theater (Sweet Tea Shakespeare, 2018)
Giving Wilkins His Due, We Pay (Theatre for a New Audience, 2016))
A New Joy Waiting for Us (Oregon Shakespeare Festival, Folger Theatre, 2015)
Never Has a Play So Bad Been So Good (American Shakespeare Center, 2014)
Understudy's Review of Bootleg Shakespeare (Taffety Punk, 2014)
Taffety Punk Brings Out the Pain In Shakespeare's Poem (Taffety Punk Theatre Company, 2012)
Richard II
Divine Right (American Shakespeare Centr, 2018)
Who Knew Richard Could Be Such a Force (Royal Shakespeare Company, 2013)
Enter Woodstock; Exit Poetical Power (Shakespeare Theatre Company, 2010)
Richard III
Crowning Chutzpah with Crutches (DruidShakespeare, Lincoln Center White Light Festival, 2019)
The Tortured Path to Redemption (Shakespeare Theatre Company, 2019)
Textual Conundrums (Chesapeake Shakespeare Company, 2017)
This Point in Time (Shakespeare Theatre of New Jersey, 2016)
Grave Consequences (Almeida Theatre, 2016)
A Deaf Richard Communicates a Real Richard (NextStop Theatre Company, 2014)
Looking for Bodies to Bury (The Folger, 2014)
Context Is Key to the Part of Richard (Shakespeare's Globe/Broadway, 2013)
Resurrecting Richard in a Parking Lot (The Drilling Company's Shakespeare in the Parking Lot, 2013)
Cry Uncle (Hudson Warehouse, 2012)
When Ten Is a Good Crowd (Brave Spirits Theatre, 2012)
Spacey Gives a Whiplash-Worthy Portrayal (The Bridge Project, Brooklyn Academy of Music, 2012)
Getting At the Heart of a True Tragedy (American Shakespeare Center, 2012)
Richard III and the Zombies (Washington Shakespeare Company, 2010)
Romeo and Juliet
A Commedia Romeo and Juliet: Fools Revisit a Landmark Production (Faction of Fools, 2024)
Real Lives, Real Love, Real Tragedy (American Shakespeare Center, 2022)
1 Plus 1 Sums Up with the Power of One (Shakespeare Opera Theatre, 2019)
Fight Time (Elm Shakespeare Company, 2017)
A Lovely Libretto Bails Out in the End (Shakespeare Theatre Company, 2016)
There’s a First Time for Everything (American Shakespeare Center, 2016)
A Juliet That Makes You Misty-Eyed (American Ballet Theatre, 2016)
The Hour Is Upon Us (Kentucky Shakespeare Festival, 2016)
Movable Productions, Moving Plays (Chesapeake Shakespeare Company, 2016)
Oh Romeo! Wherefore Art Thou Romeo? (Richard Rodgers Theatre, 2013)
Petty Larceny Robs a Grand Design (Folger Theatre, 2013)
Juliet & Romeo—Lesbian Love in a World of Hate ({Your Name Here} A Queer Theater Company, 2013)
The Extremities of Youth (Brave Spirits, 2013)
Details Add Texture to This Fun Family Feud (Baltimore Shakespeare Factory, 2013)
This Production Is a Rush (National Players, 2013)
Shakespeare's R&J—Freeing Romeo and Juliet from Censorship (Signature Theatre, 2013)
In Fair Chaparral, We Set Our Play (Oregon Shakespeare Festival, 2012)
A Commedia Romeo and Juliet: Tragic Hilarity, and a Romeo to Die For—Thrice (Faction of Fools, 2012)
Silent Shakespeare Yields Emotional Depth and Visual Electricity (Synetic Theater, 2011)
Fire and Brimming Passion, and a Juliet to Die For (Royal Shakespeare Company/Lincoln Center, 2011)
Great Verse + Teen Passion – Horniness = A Chaste Play (American Shakespeare Center, 2010)
Two Outcasts Cast Their Lots With Each Other (American Shakespeare Center, 2023)
On the Matter of Political Correctness (Michigan Shakespeare Festival, 2017)
Trump-eting Shrew As a Feminist Manifesto (Public Theater's Free Shakespeare in the Park, 2016)
Subversive Misogyny in an All-Male Casting (Shakespeare Theatre Company, 2016)
A Textual Perspective of Kate and Petruchio (Baltimore Shakespeare Factory, 2015)
A Shrewd View from Inside the Shrew (American Shakespeare Center, 2015)
Smart Theater, Brainless Fun (Chesapeake Shakespeare Company, 2013)
Unnecessary Script Doctoring Ill-Treats An Ideal Setting and Comic Playing (Folger Theatre, 2012)
It's All about Image in Paduawood (Synetic Theater, 2012)
A Wild West Setting for A Not-So-Wild Shrew (Theatre for a New Audience, 2012)
An Old-Fashioned Lesson in Respecting Your Spouse (American Shakespeare Center, 2010)
Insubstantial Pageant? Hardly (The Old Globe, 2018)
The Power of Imagination, Mind over Magic (Sweet Tea Shakespeare, 2018)
The Palpable Presence of the Missing Third (Shakespeare & Company, 2017)
Master of a Full Poor Cell (Donmar Warehouse, St. Ann's Warehouse, 2017)
Turning a Page as Prospero (Shakespeare Theatre Company, 2016)
These Be Brave Spirits Indeed (American Shakespeare Center, 2016)
Simply Magical Shakespeare (Taffety Punk, 2015)
Will the Real Prospero Please Stand Up (Aquila Theatre, 2015)
The Great Vexation (Shakespeare Theatre Company, 2014)
Calming the Tempest Within (Olney Theatre Center, 2014)
Shakespeare and Shamu Meet in a Tempest (Synetic Theater, 2013)
Fatherhood, Freedom, and Drag Queens (American Shakespeare Center, 2011)
Timon of Athens
Capitalism Rises and Falls in a Ruin (Shakespeare in the Ruins, 2018)
Well, Not Really (Folger Theatre, 2017)
Burnishing a Flawed Play into a Masterpiece (American Shakespeare Center, 2014)
The Ultimate Unraveling of Status and Image (Philadelphia Artists' Collective, 2013)
Wall Street Puts Finishing Touches on Bard’s Work (The Public Theater, 2011)
Titus Andronicus
Some Key Ingredients Missing From Otherwise Delicious Titus (Synetic Theater, 2018)
Shakespeare's Gorefest Gets The Commedia Treatment (Faction of Fools, 2014)
The Audacity of Despair (Dead Playwrights Repertory, 2013)
The Lamentable Tragedy of Our Times (Taffety Punk, 2013)
A Titus Balancing Humor and Horror (American Shakespeare Center, 2009)
Troilus and Cressida
Cry, Trojans! Troilus & Cressida & Tonto, Too (Wooster Group/St. Ann's Warehouse, 2015)
A Play for All Ages Needs An Age to Play In (American Shakespeare Center, 2013)
Hoorah! Shakespeare's War-Soaked Masterpiece Comes of Age (Oregon Shakespeare Festival, 2012)
Twelfth Night
Live Theater As Theater of Lives (Fiasco Theater at Classic Stage Company, 2018)
A Dying Fall Resurrects as a Great Play (Shakespeare Theatre Company, 2017)
A Twin Killing (Titan Theatre Company, 2017)
Improbable Fiction Made Perfectly Probable (American Shakespeare Center, 2016)
Twin Bill Double Dips into Comic Masterpiece (Bedlam, 2015)
A Suitable Excuse for Silent Movie Hijinks (Synetic Theater, 2014)
Unleashing Shakespeare's True Genius (Shakespeare's Globe/Broadway, 2013)
Some Achieve Greatness (Folger Theatre, 2013)
A Dying Fall Leads to What You Will (Taffety Punk, 2013)
I, Malvolio—'Is This the Kind of Thing You Like?' It Is (New Victory Theater, 2013)
Finding the Beating Heart of a Comedy (The Mad and Merry Theatre Company 2012)
Museum-Piece Shakespeare Still Has Heart (American Shakespeare Center, 2012)
The Play's the Thing Emerging from the Landscape (New York Classical Theatre, 2012)
Old Ways Yield New Ways with Twelfth Night (American Shakespeare Center, 2010)
The Two Gentlemen of Verona
The Truth in the Matter (American Shakespeare Center, 2016)
Proteus's True Love—Himself (Kentucky Shakespeare Festival, 2016)
One-Night-Only Is One for the Ages (Taffety Punk Bootleg Shakespeare, 2015)
Perfecting Imperfection (Royal Shakespeare Company, 2014)
Two Self-Absorbed Gentlemen of '91 (Chesapeake Shakespeare Company, 2013)
Let Loose the Hounds of Humor (American Shakespeare Center, 2012)
The Two Noble Kinsmen
It's a Mad, Man's Mad World (Kingsmen Shakespeare Festival)
Athens Is a Man's World in Women's Eyes (Brave Spirits Theatre, 2014)
Bringing Friendship to the Fore (Dead Playwrights Repertory, 2013)
This Is Some Seriously Crazy Stuff, Man (American Shakespeare Center, 2013)
An Elizabethan Peep Show (Taffety Punk, 2024)
Shaking Booty and Hearing Voices (Folger Theatre, 2023)
Watching the Cat's Cradle Unravel (American Shakespeare Center, 2019)
A Sad Tale or a Merry Shall It Be (Shakespeare by the Sea [California], 2018)
Big Hurt and Big Laughs—Oh, and OP, too (Baltimore Shakespeare Factor, 2016)
Shakespeare Play & Ballet Made for Each Other (National Ballet of Canada, Kennedy Center, 2016)
Bearing Up under Male Tyranny (American Shakespeare Center, 2015)
A World of Leontes (Pearl Theatre Company, 2015)
4-D Vision as 2-D Theater (Shakespeare Theatre Company, 2013)
Trust the Bard, for His Magic Is True (American Shakespeare Center, 2012)
A Winter’s Tale by the Book (Royal Shakespeare Company/Lincoln Center, 2011)
Child's Play (The Folger, 2009)
Drunken Shakespeare: Raising the Bar with More and Much More
Cry "Havoc!"—A War Vet Turns to Shakespeare to Heal (Folger Theatre, 2014)
Return to the Forbidden Planet—A Conscious-Altering Experience (American Shakespeare Center, 2013)
Women of Will—Exploring Shakespeare's Feminine Side (The Gym at Judson, 2013)
Being Shakespeare—Being There When Shakespeare Became Shakespeare, with Simon Callow in(BAM, 2012)
Rachel and Juliet—A Multigenerational Juliet in One Woman: Lynn Redgrave (The Folger, 2009)
© 2011–2024 Eric Minton
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Shakespeare Canon Project: 42 Plays, 42 Theaters, One Year
©2018-2019 Eric Minton, All Rights Reserved
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